Princess of Vix
by Helen Williams
The Celtic Princess of Vix, whose burial chamber was discovered at Vix, a small village close to Châtillon-sur-Seine in Burgundy, was crippled due to injuries sustained in child-birth. This sequence dramatizes poetic identification with the female, Iron Age shaman, whose distorted, pained figure marked her out as different. Helen May Williams delves into the strong emotions associated with motherhood, evoking a series of feminine archetypes associated with Greek, Etruscan and Celtic culture. The Vix Princess officiates at an autumn ritual that synthesizes elements of Greek, Etruscan and Celtic culture. Her daughter, the Kore, is at the heart of the ceremony, which thus becomes a rite of passage. The third major figure in this drama is an Etruscan foot soldier, who has migrated to Vix, without having yet had experience of battle. And the fourth major figure is the Hecate or Hag; thus, completing the triple aspect of the Goddess and of women’s lives, from Virgin to mother to old woman, who has seen and experienced it all before and is now a spectator of the continuing, female drama.